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Bobby Brown - Don't Be Cruel
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Tracklist
A1 |
Cruel Prelude
Written-By – D. Simmons*, L.A. Reid-Babyface*
Written-By – D. Simmons*, L.A. Reid-Babyface*
|
0:39 | |
A2 |
Don't Be Cruel
Written-By – D. Simmons*, L.A. Reid-Babyface*
Written-By – D. Simmons*, L.A. Reid-Babyface*
|
6:52 | |
A3 |
My Prerogative
Drum Programming – Markell Riley
Engineer [Recording & Mix Assistant] – Jim Hanneman
Engineer [Recording & Mix] – Dennis Mitchell
Keyboards – Teddy Riley
Producer – Gene Griffin
Written-By – Bobby Brown, Gene Griffin
Drum Programming – Markell Riley
Engineer [Recording & Mix Assistant] – Jim Hanneman
Engineer [Recording & Mix] – Dennis Mitchell
Keyboards – Teddy Riley
Producer – Gene Griffin
Written-By – Bobby Brown, Gene Griffin
|
4:57 | |
A4 |
Roni
Written-By – Babyface
Written-By – Babyface
|
5:58 | |
A5 |
Rock Wit'cha
Backing Vocals – Babyface, Bobby Brown
Written-By – Babyface-L.A. Reid*
Backing Vocals – Babyface, Bobby Brown
Written-By – Babyface-L.A. Reid*
|
4:47 | |
B1 |
Every Little Step
Written-By – L.A. Reid-Babyface*
Written-By – L.A. Reid-Babyface*
|
3:59 | |
B2 |
I'll Be Good To You
Drum Programming – Markell Riley
Engineer [Recording & Mix Assistant] – Jim Hanneman
Engineer [Recording & Mix] – Dennis Mitchell
Keyboards – Teddy Riley
Producer – Gene Griffin
Written-By – Bobby Brown, Gene Griffin
Drum Programming – Markell Riley
Engineer [Recording & Mix Assistant] – Jim Hanneman
Engineer [Recording & Mix] – Dennis Mitchell
Keyboards – Teddy Riley
Producer – Gene Griffin
Written-By – Bobby Brown, Gene Griffin
|
4:25 | |
B3 |
Take It Slow
Bass, Synthesizer [Bass] – Kirk Crumpler
Drums [Drum Tech] – Michael Denten
Drums [Fills] – Richard Aguon
Drums, Bass [Tastie Bass] – Larry White
Effects [Special F/x And Sound] – Ruben Laxamana
Engineer [Recording] – Howard Johnston, Michael Denten
Guitar – Emilio Conesa, Larry White
Mixed By – Larry White, Michael Denten
Producer, Tracking By [Overdubs] – Larry White
Saxophone [Soprano] – "The Cat" Melicio Magdaluyo*
Bass, Synthesizer [Bass] – Kirk Crumpler
Drums [Drum Tech] – Michael Denten
Drums [Fills] – Richard Aguon
Drums, Bass [Tastie Bass] – Larry White
Effects [Special F/x And Sound] – Ruben Laxamana
Engineer [Recording] – Howard Johnston, Michael Denten
Guitar – Emilio Conesa, Larry White
Mixed By – Larry White, Michael Denten
Producer, Tracking By [Overdubs] – Larry White
Saxophone [Soprano] – "The Cat" Melicio Magdaluyo*
|
5:22 | |
B4 |
All Day All Night
Drums – Dewayne Sweet, Richard Aguon
Engineer [Recording] – Howard Johnston, Michael Denten
Mixed By – Larry White, Michael Denten
Producer – Larry White
Remix – Louil Silas, Jr.*
Synthesizer [Bass] – Dewayne Sweet
Voice [Telephone Conversation] – Ervilinda Nasaira Hill
Drums – Dewayne Sweet, Richard Aguon
Engineer [Recording] – Howard Johnston, Michael Denten
Mixed By – Larry White, Michael Denten
Producer – Larry White
Remix – Louil Silas, Jr.*
Synthesizer [Bass] – Dewayne Sweet
Voice [Telephone Conversation] – Ervilinda Nasaira Hill
|
4:40 | |
B5 |
I Really Love You Girl
Backing Vocals – Gordon Jones, Portia Griffin
Drums [Overdubs] – Flip Kirby
Edited By [Special Edits] – Bill Dirks
Engineer [Mix Assistant] – Paul Einger
Engineer [Mix] – Mitch Gibson
Engineer [Recording] – Phil Waters*
Instruments [All] – Gordon Jones
Producer, Mixed By – Gordon Jones
Written-By – Bobby Brown, Gordon Jones
Backing Vocals – Gordon Jones, Portia Griffin
Drums [Overdubs] – Flip Kirby
Edited By [Special Edits] – Bill Dirks
Engineer [Mix Assistant] – Paul Einger
Engineer [Mix] – Mitch Gibson
Engineer [Recording] – Phil Waters*
Instruments [All] – Gordon Jones
Producer, Mixed By – Gordon Jones
Written-By – Bobby Brown, Gordon Jones
|
5:11 | |
B6 |
Cruel Reprise
Written-By – D. Simmons*, L.A. Reid-Babyface*
Written-By – D. Simmons*, L.A. Reid-Babyface*
|
0:18 |
Companies, etc.
- Manufactured By – TELDEC Record Service GmbH
Credits
- Art Direction – JA*
- Design – Julie Moss
- Engineer [Mix Assistant] – Fred Howard (tracks: A1, A2, A4 to B1, B6), Toni Greene (tracks: A1, A2, A4 to B1, B6)
- Engineer [Recording & Mix], Edited By [Special Edits] – Jon Gass (tracks: A1, A2, A4 to B1, B6)
- Engineer [Recording Assistant] – Don Emerson (tracks: A1, A2, A4 to B1, B6), John Guggenheim (tracks: A1, A2, A4 to B1, B6)
- Executive-Producer – Louil Silas, Jr.*
- Management – George L. Smith
- Mastered By – Steve Hall
- Other [Production Coordinator] – Tommy Brown
- Photography By – Todd Gray
- Producer, Mixed By, Instruments [All] – L.A. & Babyface (tracks: A1, A2, A4 to B1, B6)
Notes
Mastered at Future Disc Systems, Hollywood, CA.
Tracks A1, A2, A4, A5, B1 & B6:
Produced for La'Face Inc.
Recorded at Silverlake Studios, Hollywood, CA.
Mixed at Elumba Recording Studio, Hollywood, CA.
Tracks A3 & B2:
Produced for G.R. Productions.
Recorded at Axis Studios, New York, NY.
Mixed at Soundworks, New York, NY.
Tracks B3 & B4 - A White House Production.
Recorded at Different Fur Studios, San Fransisco, CA and Infinite Studios, Alameda, CA.
Track B5 Produced for Flash Productions.
Recorded at Cochrane Studios, Studio City, CA and Cherokee Studios, Hollywood, CA.
Mixed at Cherokee Studios, Hollywood, CA.
Tracks B2 & B5 Co-produced for B. Brown Productions.
Manufactured in Germany, TELDEC Record Service GmbH.
Made in Germany by WEA Musik GmbH.
© & ℗ 1988 MCA Records, Inc.
Cassette# presented as 255 913-4.
Tracks A1, A2, A4, A5, B1 & B6:
Produced for La'Face Inc.
Recorded at Silverlake Studios, Hollywood, CA.
Mixed at Elumba Recording Studio, Hollywood, CA.
Tracks A3 & B2:
Produced for G.R. Productions.
Recorded at Axis Studios, New York, NY.
Mixed at Soundworks, New York, NY.
Tracks B3 & B4 - A White House Production.
Recorded at Different Fur Studios, San Fransisco, CA and Infinite Studios, Alameda, CA.
Track B5 Produced for Flash Productions.
Recorded at Cochrane Studios, Studio City, CA and Cherokee Studios, Hollywood, CA.
Mixed at Cherokee Studios, Hollywood, CA.
Tracks B2 & B5 Co-produced for B. Brown Productions.
Manufactured in Germany, TELDEC Record Service GmbH.
Made in Germany by WEA Musik GmbH.
© & ℗ 1988 MCA Records, Inc.
Cassette# presented as 255 913-4.
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