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Содержание
| A1 |
One More Night (Last Farewell)
Written-By – Hensley*
Written-By – Hensley*
|
3:32 | |
| A2 |
Falling In Love
Written-By – Hensley*
Written-By – Hensley*
|
2:54 | |
| A3 | Woman Of The Night | 4:05 | |
| A4 |
I'm Alive
Written-By – Lawton*
Written-By – Lawton*
|
4:15 | |
| A5 | Come Back To Me | 4:17 | |
| B1 |
Whad'ya Say
Written-By – Hensley*
Written-By – Hensley*
|
3:40 | |
| B2 | Save It | 3:31 | |
| B3 |
Love Or Nothing
Written-By – Hensley*
Written-By – Hensley*
|
3:01 | |
| B4 |
Put Your Lovin' On Me
Written-By – Lawton*
Written-By – Lawton*
|
4:06 | |
| B5 |
Fallen Angel
Written-By – Hensley*
Written-By – Hensley*
|
4:59 |
Компании и т. п.
- Record Company – Chrysalis Records
- Phonographic Copyright ℗ – Chrysalis Records, Inc.
- Copyright © – Chrysalis Records, Inc.
- Licensed From – Bronze Records Ltd.
- Published By – Wb Music Corp.
- Mixed At – Roundhouse Studios
- Recorded At – Roundhouse Studios
- Mastered At – Kendun Recorders
- Pressed By – Columbia Records Pressing Plant, Pitman
- Published By – Tro-Essex Music International, Inc.
- Mastered At – Columbia Records Pressing Plant, Santa Maria
Над релизом работали
- Arranged By – Uriah Heep
- Bass Guitar – Trevor Bolder
- Cover [Illustration] – Chris Achilleos
- Drums, Drums [Syn-Drums], Backing Vocals – Lee Kerslake
- Electric Guitar, Acoustic Guitar – Mick Box
- Engineer – Peter Gallen
- Engineer [Assistant] – Colin Bainbridge, John Gallen, Julian Cooper
- Keyboards, Synthesizer, Slide Guitar, Acoustic Guitar, Backing Vocals – Ken Hensley
- Lead Vocals, Backing Vocals – John Lawton
- Photography By – Fin Costello
- Producer – Gerry Bron, Ken Hensley
- Sleeve [Design], Artwork – Chess Creative Services
- Technician [Equipment] – Albert Sutton, Alistair Cunningham, Rick "Slasher" Lawrence
Заметки
This release has a single pressing ring @ 69mm. It also has a stamped letter "P" in the runouts.
Both of these characteristics are indicative of a Columbia pressed record from their Pitman pressing plant that was in New Jersey.
"SX" in runout suggest that Columbia Records Pressing Plant, Santa Maria provided plated parts to Columbia Records Pressing Plant, Pitman for pressing this release.
"Chrysalis" labels are of the "fade-to-blue" that were used from the mid-70's and onward.
All black text, except "Chrysalis" and butterfly logo in white. No rim text at all.
Album title, all tracks and publishing credits are above the spindle hole. Bands name is under side designation to the left of spindle hole.
Catalog number and label matrix number are on the right side of the spindle hole. Under that is a "Bronze" logo.
This release was issued in an inner sleeve that had a picture of the band w/ all credits on one side, and album lyrics on reverse side.
On these 1st U.S. issues, the record is accessible through the top of the cover sleeve. Not the conventional way at the side of sleeve.
Both of these characteristics are indicative of a Columbia pressed record from their Pitman pressing plant that was in New Jersey.
"SX" in runout suggest that Columbia Records Pressing Plant, Santa Maria provided plated parts to Columbia Records Pressing Plant, Pitman for pressing this release.
"Chrysalis" labels are of the "fade-to-blue" that were used from the mid-70's and onward.
All black text, except "Chrysalis" and butterfly logo in white. No rim text at all.
Album title, all tracks and publishing credits are above the spindle hole. Bands name is under side designation to the left of spindle hole.
Catalog number and label matrix number are on the right side of the spindle hole. Under that is a "Bronze" logo.
This release was issued in an inner sleeve that had a picture of the band w/ all credits on one side, and album lyrics on reverse side.
On these 1st U.S. issues, the record is accessible through the top of the cover sleeve. Not the conventional way at the side of sleeve.
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