Внешний вид товара и упаковки может отличаться от представленного образца
Tracklist
| A1 | Beautiful People | |
| A2 | South Of The Border | |
| A3 | Cross Me | |
| A4 | Take Me Back To London | |
| B1 | Best Part Of Me | |
| B2 | I Don't Care | |
| B3 | Antisocial | |
| B4 | Remember The Name | |
| C1 | Feels | |
| C2 | Put It All On Me | |
| C3 | Nothing On You | |
| C4 | I Don't Want Your Money | |
| D1 | 1000 Nights | |
| D2 | Way To Break My Heart | |
| D3 | Blow |
Companies, etc.
- Copyright © – Warner Music UK Ltd.
- Phonographic Copyright ℗ – Warner Music UK Ltd.
- Phonographic Copyright ℗ – Def Jam Recordings
- Mastered At – Metropolis Mastering
- Lacquer Cut At – Metropolis Mastering
- Pressed By – Optimal Media GmbH – BJ70398
Credits
- A&R – Ben Cook (2), Ed Howard (5)
- Art Direction [Creative direction], Design – Adult Art Club, Atlantic Records
- Lacquer Cut By – Stu.*
- Management – Gaby Cawthorne, Stuart Camp
- Mastered By, Lacquer Cut By – Stuart Hawkes
- Photography By – Nic Minns
Notes
[Cover, inner sleeve & label]
Asylum Records UK ℗ 2019 Warner Music UK Limited, except track 6 ℗ 2019 Warner Music UK Limited/Def Jam Recordings, a division of UMG Recordings, Inc. © 2019 Warner Music UK Limited. Made in the E.U.
[Inner sleeve]
Vinyl mastered and cut by Stuart Hawkes at Metropolis Mastering, London.
Cut at 45 RPM
Thanks to Blackbird Audio Rentals and the house from the hit TV show Nashville, Nashville
Jim Doyle - The Clean Up Man
This release does not have printed hype text on the front cover, contrary to No.6 Collaborations Project
Asylum Records UK ℗ 2019 Warner Music UK Limited, except track 6 ℗ 2019 Warner Music UK Limited/Def Jam Recordings, a division of UMG Recordings, Inc. © 2019 Warner Music UK Limited. Made in the E.U.
[Inner sleeve]
Vinyl mastered and cut by Stuart Hawkes at Metropolis Mastering, London.
Cut at 45 RPM
Thanks to Blackbird Audio Rentals and the house from the hit TV show Nashville, Nashville
Jim Doyle - The Clean Up Man
This release does not have printed hype text on the front cover, contrary to No.6 Collaborations Project
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