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Thomas Dolby - The Golden Age Of Wireless
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Внешний вид товара и упаковки может отличаться от представленного образца
Содержание
| A1 |
Flying NorthBacking Vocals – Lesley FairbairnDrum Programming – TMDR*Guitar – Dave BirchPercussion [Backwards] – Justin Hildreth |
3:50 |
| A2 |
Commercial BreakupLyrics By – Thomas DolbyMusic By – Thomas Dolby, Tim Kerr (2) |
4:15 |
| A3 |
WeightlessBacking Vocals – James Allen, Judy Evans, Lene Lovich, Les Chappell, Lesley FairbairnVocals [Monks] – Bruce Woolley, Dave Birch, TMDR* |
3:45 |
| A4 |
Europa And The Pirate TwinsBacking Vocals – Les ChappellHarmonica – Andy PartridgePercussion [Electronic] – TMDR* |
3:18 |
| A5 |
WindpowerBrass [Leadline], Flute – Simon LloydDrum Programming – TMDR*Vocals [Shipping Forecast] – John Marsh |
4:20 |
| B1 |
The Wreck Of The FairchildBacking Vocals – Bruce WoolleyKalimba – TMDR*Other [Chilean Translations, Distress, Grace] – Guido Orlando |
3:30 |
| B2 |
AirwavesBacking Vocals – Bruce Woolley |
5:12 |
| B3 |
Radio SilenceBacking Vocals – Akiko YanoMixed By – TMDR*Mixed By, Synthesizer – Daniel Miller |
3:43 |
| B4 |
Cloudburst At Shingle StreetBacking Vocals – James Allen, Judy Evans, Lesley FairbairnVocals [Operatics] – Lene Lovich, Les Chappell |
5:45 |
Над релизом работали
- Backing Vocals – TMDR* (tracks: A1 to A4, B1, B2, B4)
- Bass – Mark Heyward-Chaplin (tracks: A2 to A4, B1, B2, B4)
- Drums – Justin Hildreth (tracks: A2 to A4, B1, B2, B4)
- Engineer – Barry Kingston, Chris Birkett, Chris Stone, Graham Carmichael, Martin Levan, Mike Hedges, Peter Woolliscroft, Tim Hunt, Wally Brill
- Guitar – Kevin Armstrong (tracks: A1, A2, A4, B1, B2, B4)
- Piano – TMDR* (tracks: A1, A3, B1 to B4)
- Producer – Thomas Morgan Dolby Robertson*
- Synthesizer – TMDR* (tracks: A2 to A4, B1, B2)
- Synthesizer [Wave Computer] – TMDR* (tracks: A1, A3 to A5, B3, B4)
- Written-By – Thomas Dolby (tracks: A1, A3 to B4)
Заметки
This is the first European version of the LP as released in early 1982 in the UK.
This full-length version of The Wreck Of The Fairchild found here is unique to this pressing, which continues the radio frequency tones directly into Airwaves without a break. The version found on the B-side of the Airwaves 7" single fades early making it about 5 seconds shorter.
Later pressings differ from this one in a variety of ways, but most notably:
First US issue (but second issue overall; on Harvest):
Drops The Wreck Of The Fairchild, but adds Urges and Leipzig which were taken from an early single. Replaces the full-length Airwaves found here with a 7" version, and includes a different version of Radio Silence.
A later US version then dropped Urges and Leipzig and instead added She Blinded Me With Science and One Of Our Submarines. Still later pressings switch off between the long and short versions of She Blinded... and Airwaves, and the rock (long) vs. synth (short) versions of Radio Silence.
Printed inner sleeve
Cover is printed in Holland
This full-length version of The Wreck Of The Fairchild found here is unique to this pressing, which continues the radio frequency tones directly into Airwaves without a break. The version found on the B-side of the Airwaves 7" single fades early making it about 5 seconds shorter.
Later pressings differ from this one in a variety of ways, but most notably:
First US issue (but second issue overall; on Harvest):
Drops The Wreck Of The Fairchild, but adds Urges and Leipzig which were taken from an early single. Replaces the full-length Airwaves found here with a 7" version, and includes a different version of Radio Silence.
A later US version then dropped Urges and Leipzig and instead added She Blinded Me With Science and One Of Our Submarines. Still later pressings switch off between the long and short versions of She Blinded... and Airwaves, and the rock (long) vs. synth (short) versions of Radio Silence.
Printed inner sleeve
Cover is printed in Holland
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